The Year in Pivoting to Video

The Year in Pivoting to Video
AP Photo/Wong Maye-E

For better but mostly for worse, I have always thought of the jobs I've had as fundamentally someone else's business. My work life, since the beginning, has been a matter of digging myself out from under things dropped onto me by managers for reasons I only sort of understood or cared about. Other tasks seemed to have just materialized on their own somewhere between the ionosphere and the drop-ceiling, and those landed just as heavily. I sense that most jobs are at least a little bit like this.

In the early days, I did not bring my work home, in the literal or the emotional sense, because it was the sort of thing that could only really be done, in the literal and the emotional sense, in the fluorescent mehscape of an office. I did not ask questions about why I was doing any of it, because the work itself—forcing search keywords into descriptions of luxury condominium buildings like butter into a foie gras goose, or taking information that was trapped in one digital field and re-typing it into another more useful one, or standing over a thrumming scanner in clothes I couldn't remember buying—was so transparently inessential as to foreclose even the possibility of an interesting answer. It was something I did for money, and while I did it grudgingly it's worth noting that I was then doing everything else in my life just as grudgingly. I applied myself more assiduously to drinking in bars with my friends and writing short stories in which I visited wry but richly deserved punishments on people very much like me, but I treated all of it as an imposition that I would just have to endure on my way to wherever I was going. I walked from one waiting room into another into another, for years.

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