A failure to engage with this history and wider context is a failure to capture the real stakes of the conflict with Pornhub, and that’s the fundamental limitation behind the picture of abuse related by the New York Times op-ed columnist Nick Kristof in the latest entry in his long oeuvre concerning abuse, women, and sex. When Kristof turns his notebook in the direction of women with stories of trauma, the resulting narratives most often fall somewhere between beneficent voyeurism and journalistic malpractice.
Nick Kristof and the Holy War on Pornhub
Anyone who wants to know that Pornhub has engaged in abusive and exploitative behavior toward women need only listen to the women whose videos were posted to the free porn site without their consent. That includes the abuse of people like Rose Kalemba, who has written about how she had to impersonate a lawyer to get Pornhub to remove a video that recorded a man raping her more than a decade ago. That also includes the numerous porn performers who have spoken publicly about how Pornhub routinely allows videos they made to be pirated and posted to the site, where it profits off the performers’ work and leaves them with nothing. Journalists who cover the tech company critically and with an eye toward its human costs have all been on this beat for some time. Slate covered the monopolistic model behind Pornhub’s parent company, Mindgeek, more than eight years ago, citing, among others, reporting by ABC’s Nightline, which preceded it, with performers stating they felt they couldn’t speak out against the company for fear of retaliation.
A failure to engage with this history and wider context is a failure to capture the real stakes of the conflict with Pornhub, and that’s the fundamental limitation behind the picture of abuse related by the New York Times op-ed columnist Nick Kristof in the latest entry in his long oeuvre concerning abuse, women, and sex. When Kristof turns his notebook in the direction of women with stories of trauma, the resulting narratives most often fall somewhere between beneficent voyeurism and journalistic malpractice.
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A failure to engage with this history and wider context is a failure to capture the real stakes of the conflict with Pornhub, and that’s the fundamental limitation behind the picture of abuse related by the New York Times op-ed columnist Nick Kristof in the latest entry in his long oeuvre concerning abuse, women, and sex. When Kristof turns his notebook in the direction of women with stories of trauma, the resulting narratives most often fall somewhere between beneficent voyeurism and journalistic malpractice.
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