The Professor Who Became a Cop

For as long as there have been police, there have been bestselling police biographies and autobiographies. In nineteenth-century Britain and France, bourgeois readers devoured police “memoirs” that peddled lurid glimpses into high-profile murders and tawdry street crimes alike. In the United States, readers thrilled to dime-novel sheriffs lassoing rustlers on the range and broadside exploits of Allan Pinkerton and his agents, women included, smashing conspiracies of anarchists, communists, and “Molly Maguires.” In the twentieth century, memoirs bylined by everyone from the FBI’s J. Edgar Hoover to the LAPD’s Daryl F. Gates sold widely and netted their authors serious money in the process. (Hoover laundered his royalties through a nonprofit and became rich.)

The reading public looked to these stories for an understanding of their changing world. From the saloons of the lawless frontier, to the warrens of industrializing cities, to the vacant lots and housing projects of contemporary urban ghettos, cop memoirs have promised insight into their eras’ spaces of disorder, as well as vignettes—titillating, tragic, and comic—of the unruly persons who populate them. Cop memoirs also promise character studies of the people who patrol such dangerous zones, learn their ways, and presumably gain some portable wisdom about society and human nature in the process. The question “Who Watches the Watchers?” has an obvious answer insofar as everyone, it seems, wants to know what makes cops tick, and to see the world that they see.
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